Daryl Hall and Sharon Jones: ... What elses is there to say???

This video is ridiculous.  I'm on a roll... I think its because I am not writing much under the guise of  "the music speaks for itself".
Live From Daryl's House ep. 34: Sharon Jones

ATTENTION: Daryl Hall feat. Sharon Jones and the Dap Kings is coming to Chicago!  Tickets on sale tomorrow!!

Sounding Out, Once Again: Quantic and Alice Russell

So I thought I left this blog behind me.  Its been well since a year from when I last posted. But, fortunately, there are so many exciting things going on with music and food, I would can't fight the urge to share.  This one comes from one of my favorite musicians working in the biz today: UK born, Columbian transplant, Quantic aka Will Holland.  This multi-instrumentalist, composer, DJ, and producer extraordinaire chooses his collaborations wisely.  He has worked with singer Alice Russell for many years. Russlle has a voice as penatrating as Adelle and as soulful as Amy Winehouse, whose pairing elevates Hollands talents in the club and in the studio. With their first full album collaboration due out this spring, backed by Quantic's Como Barbaro, this record is on the top of my 2012 anticipation list. 



An oldie, but a goodie:

Charlie's Feburary Ambient Roundup

What is Ambient Music? (Ambient Music will henceforth be referred to as AS, for Ambient Sound) Is it music without a beat? Is it just a really long song without any words? I do not plan on answering any of these questions.

I had plans today. I was going to record my Helen Keller album—an aural interpretation of Helen Keller’s thoughts—but my producer bailed on me. I’m not mad or anything, usually these projects don’t get far off the ground unless someone’s throwing some money at someone else, and I haven’t thrown a penny.

So instead of contributing sound to the canon of AS I’ll contribute to it with a written blast of hot air.

(Speaking of which, while I was doing some rough prelims for this article I came across a pretty terrible Pitchfork review. http://pitchfork.com/reviews/albums/190-here-comes-the-indian/ Were I a responsible editor I’d rewrite the entire article thusly: Good album sober. Great album tripping. Excuse me; I am going to go buy some drugs with all the money I just saved from firing a writer.)

Usually I put on some AS when I try to be productive, when I decide to use my free time wisely. When I am hurried and chasing after a fast moving deadline the application of AS is usually an afterthought. I put this kind of music on like a bathrobe. I drink from the sacred chalice to get drunk.

In my studies of Chinese philosophy I’ve become infected with a pretty nasty case of chronic doublespeak. I say something is good, and then I say that something is bad. (I am willing to concede that the nuanced nature of 无，为，无为，and the less popular 无无为 probably went over my head, but for the sake of this article’s observation I’ll let my understanding stand.) So please consider the attached playlist when I say that AS is meant to be heard and not heard at all.

If one is engaged in writing or reading or sleeping or studying it is easy to forget the music is there. It fades away like a broken sentence in a short parag

Brian Eno is attached to the Ambient genre like someone’s hand onto someone else’s hand after a hand-graft. I think Eno is associated with AS in the same way Mozart is associated with classical music. In composing the playlist below it was really hard not to put in more than one Eno track. In composing this playlist I had a good time going over music that I consider AS that I had not considered AS before. I always regarded Zone and The Diamond Sea as pretty loud-volume tracks—something to be blasted out of a car or an empty house. I really tried to put some of Yo La Tengo’s longer hits into this list, but my YLT collection—or so I’ve just learned—is entirely M4A, which is cool, I like the boost in sound quality, but it is a bitch to get into playlist form. Instead of placing them into the list I’d like to suggest to the reader that The Story of Yo La Tango and The Glitter is Gone should be wedged in there somewhere if you have them already.

Sincerely,


Charles Harper

Newweatherorder.blogspot.com

Click here to download the playlist.

Tracklist

1) The Sinking of the Titanic --Gavin Bryars
2) Pastoral Symphony_ I. Dominoes II. Infinity Room --ARP
3) He Loved Him Madly --Miles Davis
4) The Colour of Three --Fennesz
5) Fullness of Wind (Variation on the 'Canon In D Major' By Johann Pachelbel) --Brian Eno
6) Wind Coda --Lou Reed
7) Bend Beyond --Woods
8) Two Sails on a Sound --Animal Collective
9) Zone --Lightning Bolt
10) The Diamond Sea --Sonic Youth

Sounding Out Loud: A resolution and winter tunes

Happy new year! Whoa that was slow, I thought that one was gonna take forever!! An oil spill, an annoying little internet gremlin airing our dirty laundry, North Korea actin' a fool, and the European financial system resting on the head of a pin this year was one for the books.  And as all this was going on I had the gall, no the nerve, I had the nerve to not update this blog regularly.  I know the only joy in your fickle hopeless days of endless labor, rests on the insight and aesthetic principles dependably dosed to you by yours truly.  Yes, the impact of SoundOutLoud on its vast readership in incalculable,  and being aware of the needs of my followers, I somehow did not think it kind to update you.  In addition to the infrequency of my posts I feel as though the quality has suffered as well. Single link Youtube videos and not a recipe in sight, the sincerity was seriously lacking. Is this what the dedicated followers of SoundOutLoud deserve?? I think not.

I have been cooking many interesting new dishes and picking up some great music from a few new spots. Between backyard barbecues (thought most certainly not in this weather) and a new cast iron skillet I have many adventures and tips to share with you. I no longer scour the blogs as much as I used to but I have been finding some vinyl gold in my new Chicago diggs. The Maxwell Street Market every Sunday has been quite prosperous. I've picked up some Teddy Pendergrass, Chic, James Brown, Kool and the Gang, Tyrone Davis, The Impressions, Smokey Robinson, Michael Jackson, and others. Chicago is a funky funky town indeed...

So be sharp and stay light on your feet young readers!  I hope that this third year of blogging will be just as good as the first and better than the second, maybe even better than the first two entirely. Who knows?I certainly don't, but I do have a feeling about it... Exciting things. So to cap off this apology and I guess what is now a resolution, I will leave you with a mix of winter jazz.  Some cool music to fit the wintery scene and provide a relaxing backdrop for nights quietly reading at the homestead, for fear of some horrible blizzard outside. Jazz fits the scene so well. The dark windy nights, that tumbler of whisky sitting next to your computer, and that copy of War and Peace that has been taking you FOREVER to read.  So enjoy. If you are inside you might as well surround yourself with great music.


Cheers, Happy Holidays, Happy New Year, Peace, and Goodwill Towards Men/Women, Etc..

SoundOutLoud

Click Here -->Winter 'o Jazz Mix 2010-2011

Tracklist:

01-Black Narcissus    4:52    Joe Henderson    Power to the People 
02-07.Black Beauty    3:25    Ahmad Jamal    The Legendary Okeh & Epic Sessions
03-Smoke Gets in Your Eyes    5:01    Bobby Broom    Bobby Broom Plays for Monk  
04-Negro    2:35    Geraldo Vespar    Samba Nova Geracao   
05-06 If I Should Lose You    5:13    Hank Mobley    Soul Station
06-C.T.A.    5:07    Lee Morgan    Candy
07-02 Love for Sale    7:05    Cannonball Adderly    Somthin' Else
08-Deception    2:48    Miles Davis    Birth Of The Cool
09-Dance Cadaverous    6:46    Wayne Shorter    Speak no Evil
10-Star Dust    10:16    Donald Byrd And Pepper Adams    Motor City Scene
11-Mack The Knife (German - Lotte Lenya)    3:07    Weill, Kurt    Three Penny Opera

Watermelon Seed: A Poem

Here is a poem about a watermelon seed I found on the ground of my brother's room.  I thought the find was quite evocative, but I wasn't sure of what, so I made a poem to help me figure out.

Enjoy!
SoundOutLoud

Watermelon Seed

I found you, lying,
on the floor, spit and forgotten,
from some sweet moment, gone and forgotten

I could put you in the soil,
but I know I never will.
Watch you grow, lush and ripe
entangled vines brushed with dirt,
basking in sun.

Summer of Soul... Spotted!!: Baden Powell or Tony Clifton?

I love Baden Powell, but the similarity is a little uncanny.



?

Summer of Soul: Socialist Healthcare Jammin'

So here it is.  Finally.  The moment  that I've deluded myself into thinking you've all been waiting for, my official Summer of Soul mix, coyly declaring this third funky summer as the summer of "Socialist Healthcare Jammin'".  The title implicates some of the political aspects of the mix, but more so I think it really just captures the feeling of this past year-- the fear, the tragedies, the neuroses, and the challenges that beg for some uplifting jams as well as compassion.  Much of it gleaned from the Blog-o-Sphere, Summer of Soul may be steeped in nostalgia (for summers past and such) but this and the S.O.S. Electric Boogaloo mix are both a product of the present.  Present tastes in soul music are themselves current interpretations of the past, and in their collection and presentation I have always tried to capture the feeling of the year for me as well as the world at large.  This mix is dedicated to all the wonderful friends in New York I have had in the past four years, and will be leaving shortly.  A reminder of the time we shared, and the strange history that has framed that time.  That being said I will leave you with a poem by Wallace Stevens.... cause I've been jamming on  that of late too.

-Josh

Jasmine's Beautiful Thoughts Underneath The Willow -Wallace Stevens

My titillations have no foot-notes

And their memorials are the phrases

Of idiosyncratic music.

The love that will not be transported

In an old, frizzled, flambeaud manner,

But muses on its eccentricity,

Is like a vivid apprehension

Of bliss beyond the mutes of plaster,

Or paper souvenirs of rapture,

Of bliss submerged beneath appearance,

In an interior ocean's rocking

Of long, capricious fugues and chorals

FOR THE GOODS, CLICK HERE!!!

01-Intimate Friends    5:48    Eddie Kendricks

02-Earthquake Shake    3:04    Undisputed Truth    Comic Truth

03-Back in the U.S.S.R.    2:56    Ramsey Lewis    Mojo Club - Dancefloor Jazz Vol 08

04-Could it be I'm Falling in Love    4:10    The Spinners    Smash Hits

05-Good Old Music    3:17    The Parliaments

06-California Soul    3:01    Marlena Shaw    The Spice of Life

07-beggin' (pilooski edit)    5:34    Franki Valli and the Four Seasons

08-Plenty Action    2:52    SOFT TOUCH    Bay Area Funk

09-Lady Day and John Coltrane    3:31    Gil Scott Heron    Mastercuts Bar Social: The Early Hours  10-Tightrope (Feat. Big Boi)    4:23    Janelle Monáe    The ArchAndroid

11-Who is He? (And What is He to You)    3:10    Bill Withers

12-Mercy Mercy Me    3:16    Marvin Gaye    What's Going On

13-I'm Controlled by Your Love    3:07    Helene Smith    Eccentric Soul: The Deep City Label          14-Call Me    3:05    Al Green    Call Me

15-That's the Way it is    2:26    Eddie Bo    Eddie Bo's Funky Funky New Orleans

16-Donde    3:27    Bronx River Parkway    An Introduction to Truth & Soul Records

17-Up Against Tha Wall (Getaway Car Mix)    4:34    Group Home    Livin' Proof    

18-What You Won't Do For Love    3:25    Bobby Caldwell 

19-Come in Out of the Rain    2:45    Parliament    Osmium

Summer of Soul: Some Like it Hot, Others think it's too Hot.

I think its too damn hot...

Reflection Eternal: Black Gold

This is the first video off of the new Reflection Eternal album Revolutions Per Minute.  This is Talib Kweli and DJ Hi-Teks first venture since their eminent 2000 album Train of Thought.   This video is a timely release done by director Sam Ellison.  I really like the way it is done, mixing stock footage with images of everyday people draped in oil.   I think the message the video has is especially important now with the current BP fiasco.  The visuals only serve to bring the post home.  I love the shots of the shots of the smoking drum, a speaker spewing oil, Mobutu, the stock exchange; just great.  Black Gold is one of my favorite off of the album and I am really happy to see the video done so well.  Great job Sam!


p.s. If you pause it at 4:17 at just the right moment you get a surprise on the right side of the screen ;-)...


Reflection Eternal "Ballad of the Black Gold" from Sam Ellison on Vimeo.

Egberto Gismonti: Guitarist/Pianist/Composer Extraordinaire

If you waste a half hour watching these videos, I doubt you actually wasted it. Knuff said... 

  

Summer of Soul: Funky Funky Independence Day.

2 great U.S. folk standards, done by two of the funkiest voices alive...

Summer of Soul: Summer Slaps

In honor of the summer sun I have put together a mix of my favorite summer slaps. From the Bay Area down to Long Beach and Inglewood, and all the way out to Bed-Stuy, this mix has everything you need for beach going, beer drinking and barbecuing. There should be plenty to keep you entertained until Josh finally comes through with his latest Summer of Soul mix. Enjoy!

In The PJ's 4:06  Big Daddy Kane Daddy's Home
Young thugs 4:24  Bone Thugs-N-Harmony
Sunshine in the "O" 5:12  3 X Krazy Sick-O
Father Dom Story 5:25  Father Dom Bust The Facts
Baby Bubba 4:13  Dru Down Can You Feel Me
Let's Ride 4:35  Richie Rich Seasoned Veteran
West Coast Shit 4:19  3X Krazy Stackin Chips
Spur Of The Moment (Feat. Ludacris) 4:20   DJ Quik Balance And Options
We'll Never Stop 4:20  Rakim The Master
Players Holliday 5:02     TWDY Derty Work
Jump Ta This 2:54  The Twinz Conversation
I'll Be Around 5:48  Rappin' 4-Tay Don't Fight The Feelin'
Getto Jam 4:18  Domino Domino
Hot Sunny Day 4:57  Celly Cell
Indo Smoke 5:24        Mista Grimm
What The FAM Like 3:55  The Done Deal Fam Runs In The Family
The Mack Hand 4:16  JT The Bigga Figga  Dwellin' In Tha Labb
Hittin' Corners   4:43    K-Dee Ass, Gas, or Cash (No One Rides for Free)
You Know How We Do It 3:53  Ice Cube Lethal Injection
Hittin' Switches  3:34  Mack 10 Presents Da Hood
Playah's Mode  4:25   Young Lay Black 'N Dangerous
Another Summer 4:13  213 The Hard Way
This D.J. 3:23 Warren G Regulate...G Funk Era
All for the Money 4:06  Mc Eiht When We Wuz Bangin' 1989-1999: The Hitz
Playaz Do What'cha Like 3:36 Da Dangla Straight Maxin'
The Love Of Money 3:46 Scarface Presents The Product One Hunid
Last Nite 5:01 Ray Luv Forever Hustlin'
Summertime In The LBC (Rap) 3:56 The Dove Shack This Is The Shack
Cool 5:11 Tha Eastsidaz Duces 'n Trayz: The Old Fashioned Way
Dippin' (Remix) 4:10 King Tee IV Life
Geto Highlites 5:00 Coolio Gangsta's Paradise
Garcia Vegas 3:02 11/5 Fiendin 4 Tha Funk
Real Soon 4:31 Snoop Dogg

Summer of Soul: Summer Slaps (Full)

-Boots

P.S.
This is a great mix of by my good friend Boots to kick off the Summer of Soul.  This time around we here are extending our offerings with more than a single mix. I got a fresh one coming up so watch out!!!
Yours Truly,
SoundOutLoud

The Creator's Project

The history of electricity and music is a fascinating one.  Beyond analog vs. digital, there is also the debate of how synthesizers and other devices inhibit or enhance the control of a musician.  Lending fear to the hearts of many purists, silicon chips forged their way further and further into music production.  Today, however, we can breathe.  Though some personal touch may be lost on some sides of the equation, the expanse of our listening environment has become ever wider.  Besides enabling technology.  Today, musical trends are broad and far reaching.  The internet has enabled us to have as much access to rare soul 45's as the latest digitally chopped remixes.  

On the side of performance technology, in particular technology has heightened the ability to produce ever more complicated music.  Take Mario Davidovsky's Synchronisms no. 6, a piece that creates the illusion of a piano making sounds never thought possible.  The seamless conversation between tape and piano brings new challenges to the performer as well but the results are out of this world.

This trend has certainly not subsided and historically speaking made a quick transition from academic theory and esoteric technology into an essential piece of the modern music industry.  Today from the synth laden indie pop anthems to Akon and Kanye's vocoder I don't have to tell you that it's is true. The most recent development is the way, with the advent of super powerful personal computers, technology has enabled the armchair musician to use advanced technology to enhance their creative experience.  Loads of commercial and open source digital audio editing programs allow anyone to clip, reverse, copy, overlay, filter, or even synthesize what we hear.  In suburban basements kids all across the country are recording their shitty first bands and the children of the iPod generation are using Serato or Ableton to mix their favorite mp3's, which for proponents of the creative process is cause for celebration even despite the shittyness of their bands.  Or take Kutiman and his efforts in making original compositions based on amateur Youtube videos.  Here a person is using the computer to share their craft with others, and in their attempt and further computerized mumbo-jumbo unwittingly become part of collaboration on a massive scale.  I love his work for many reasons but I most like how he takes everyday people's work and makes it into something undeniably virtuosic.

Such trends, however, have become so commonplace and prevalent that when I first heard of the Creator's Project from my friend Kaley, a collaboration between Vice Magazine and Intel, I thought little of it. But after thinking about it more the event as a whole has become more interesting.  Bringing together Mark Ronson, Phoenix, Interpol, Spike Jonze and other artists from a variety of backrounds this world wide venture features panels, concerts, screenings, and exhibits with the artists.  The event lends both new high brow exposure to Vice's dogged hipster veneer as well adds new vitality and direction to Intel's chip deeply established microchip empire.   

Vice being the essential culture magazine for card carrying hipsterati and Intel the inventor of the world's first microprocessor the two coming together says something larger about the direction music and technologies relationship has taken in the past decade.  No longer is it a statement on a conservative present or a deep exploration into uncharted territory.  The future is now as they say, and more than ever technology in music is part of our daily life.  A reason to come together, to learn a new program, to write a new program, to cut and mix as we please.   The Creator's Project shows in glaring detail how multinational corporations and counterculture have co-existed in the past decade, giving and taking from one another.  Computers have seemingly provided a bridge between the two, bringing creative and social possibility beyond our wildest imagination.   I am excited to see what Vice and Intel have in store for New York when they launch on June 26th in lower Manhattan, then the world thereafter. Hopefully the Creators Project will be more than just a fashionable technological exposition, with the excitement of progress, innovation, and the new social world it creates.  The same biting amazement of symbiosis between man and machine a la Davidovsky or man... I hope.    

A nice little vid. by "Creator" Mark Ronson...

Reed's Bass Drum

Based in Brooklyn, Reed's Bass Drum is a dynamic trio beginning to lay their imprint on the city.  Despite their youth, this relative newcomer to the scene has appeared with rare force.  Having rereleased  their debut album, Which is Which, this past January at  Lou Reed and John Zorn's The Stone, the band is again booked to take on another New York jazz establishment with an upcoming performance at the Blue Note on May 20th.  Comprised of baritone sax player Jonah Parzen-Johnson, bassist Noah Garabedian, and drummer Aaron Ewing the band is a delicate grouping of young talent.  Whether its a smooth roll of the drums, sly fill on the bass, or sultry remark from the baritone sax their teamwork does good work to drive even the heaviest lines steadily home.  Taking influence from mentors like Bryan Lynch, Joe Lavano, and Tower of Power's Lenny Picket as Parzen-Johnson's lyrical talent sets the band apart with their hard hitting baritone driven arrangements.  They occupy a certain space close to the jutting groove of Medeski, Martin, and Wood but with a classic trio warmth, lending to an innovative style with palpable sincerity.  With the low register of the bari sax and the band's attentive rhythm there is a certain resonating charm that fill's each room Bass Drum plays.  Their rich timbre lends to a mellow sound swirling with space for innovative co-operation, working to set them apart from other sax-drum-bass trios such as New York's Fly. Their new album is filled with thoughtful and hard hitting original tunes sure to excite at their upcoming Blue Note performance.  Coming with a strong endorsement from Sound Out Loud you can buy their cd or download the albumWhich is Which at cd baby.

Reed's Bass Drum performs 5/20 6:30 p.m. at Blue Note

Tickets: $15 bar/$25 table

131 West 3rd St.

New York, NY 10012

212-475-8592

Reed's Bass Drum - After the Almond's Fell (Which is Which, 2010)

Reed's Bass Drum - When You Listen (Which is Which, 2010)

Loisaida Burger: Royale in Alphabet City

      Making claim to the best burger in New York City is controversial in its nature.  In Manhattan popular lore rumors swell between Shake Shack, Burger Joint, Corner Bistro (though not as frequently these days), Red Head, or some extravagant $50 burger of the moment.  Yet hidden away on Ave. C  Royale manages to escape the gaze of all except for the most dedicated appreciators of NYC burger artistry.  With a table always free, standards always high, and a $6.50 for a burger (pictured here as the $8.50 bacon/cheese) it serves as the perfect little joint to have down the street.
      What makes these burgers so special is the quality of their meat.  A special blend of grass-fed beef ground/delivered daily by the oldest meat purveyor in the meat packing district (further details are shrouded in secrecy, as my waitress made me aware) this patty can even be ordered rare if you like.  Its rich juicy flavor is further complimented by the meticulous attention to it construction.  The boston bibb lettuce, the new pickles, the crisp bacon, the perfectly "sesamied" challah bun, its the small things I think that really get me.  In addition the compliment of lightly battered onion rings or thin and crisp fries make this one of only a few meals where I reach near spiritual enlightenment upon completion.
      Countless visits following rave reviews at its opening four years ago I can say these burgers have only gotten better through time.  A bit off the beaten track, this is one great New York burger experience, well worth the trip off.  If you can find a more homey better tasting burger joint in Manhattan I'd love to hear about it.  Somehow I doubt I will for a while to come, plus where else in America can you order a Royale with Cheese?