Wednesday, April 29, 2009

Amadou and Mariam



















Amadou and Mariam are musicians from Mali, who also happen to be blind which I think is kinda interesting(they met at some school for the blind in Mali and are now married, says wikipedia). They are getting bigger these days, as a result of their 2008 release "Welcome to Mali" which has been received with wide critical acclaim. Also west african music is pretty hip in general these days (see fela kuti post, also the new Animal Collective album which also has wide critical acclaim I feel harkens to this trend with similar rhythms and song structures) so naturally their combination of African and elctro sounds are a good introduction to this trend. Anyways, I think this music is really cool music, despite the fact that pitchfork likes it too.

PEACE
MC J-Sauce



p.s. This is my 30th post... WOOOO!!! Don't you love arbitrary reference points.

Monday, April 27, 2009

Chocolate Chip Cookies by Jaques Torres

I am reprinting the recipe for supposedly the "best" chocolate chip cookie around (according to renowned pastry chef Jacques Torres) . Really there are two things that make these cookies special, one is that the dough is refrigerated for 24 hours to promote some kind of chemical reaction in the dough that I don't know about. The second is that this recipe calls for a special expensive french style of chocolate chip (its really more of a disk) that you can only find at specialty stores, Whole Foods, or the like. I'm not sure what difference it makes but these cookies are undoubtedly the shit, and taste like they came straight from a professional bakery.

Time: 45 minutes (for 1 6-cookie batch), plus at least 24 hours’ chilling

2 cups minus 2 tablespoons

(8 1/2 ounces) cake flour

1 2/3 cups (8 1/2 ounces) bread flour

1 1/4 teaspoons baking soda

1 1/2 teaspoons baking powder

1 1/2 teaspoons coarse salt

2 1/2 sticks (1 1/4 cups) unsalted butter

1 1/4 cups (10 ounces) light brown sugar

1 cup plus 2 tablespoons (8 ounces) granulated sugar

2 large eggs

2 teaspoons natural vanilla extract

1 1/4 pounds bittersweet chocolate disks or fèves, at least 60 percent cacao content (see note)

Sea salt.

1. Sift flours, baking soda, baking powder and salt into a bowl. Set aside.

2. Using a mixer fitted with paddle attachment, cream butter and sugars together until very light, about 5 minutes. Add eggs, one at a time, mixing well after each addition. Stir in the vanilla. Reduce speed to low, add dry ingredients and mix until just combined, 5 to 10 seconds. Drop chocolate pieces in and incorporate them without breaking them. Press plastic wrap against dough and refrigerate for 24 to 36 hours. Dough may be used in batches, and can be refrigerated for up to 72 hours.

3. When ready to bake, preheat oven to 350 degrees. Line a baking sheet with parchment paper or a nonstick baking mat. Set aside.

4. Scoop 6 3 1/2-ounce mounds of dough (the size of generous golf balls) onto baking sheet, making sure to turn horizontally any chocolate pieces that are poking up; it will make for a more attractive cookie. Sprinkle lightly with sea salt and bake until golden brown but still soft, 18 to 20 minutes. Transfer sheet to a wire rack for 10 minutes, then slip cookies onto another rack to cool a bit more. Repeat with remaining dough, or reserve dough, refrigerated, for baking remaining batches the next day. Eat warm, with a big napkin.

Yield: 1 1/2 dozen 5-inch cookies.

Note: Disks are sold at Jacques Torres Chocolate; Valrhona fèves, oval-shaped chocolate pieces, are at Whole Foods.



Thursday, April 23, 2009

Taj Mahal: A "Monumental" Musician

I have been a fan of Taj Mahal ever since hearing him in my dads record collection sometime in highschool.  He is a great guitarist which I always appreciate, but generally a great musician all around.  Over spring break I saw him perform at The Belly Up in Aspen Colorado where he played the banjo, piano and guitar all very proficiently, as well as put on one hell of a show.  He has some great tunes and this first two are tunes I heard for the  at The Belly Up and just rediscovered it today, also I included another tune just to show how much of a bad ass he is... enjoy.









Monday, April 20, 2009

Not So Guilty Pleasures Part 1: Phish

This is a selection from Phish's first night of their recent March reunion at Hampton Colosseum.  This song is off of their 1990 album "Lawn Boy".  Just for reference I, personally, am partial to their earlier stuff though this is not why I chose this song.  I chose to share this song because I think Paige McConnell's piano solo at the end I think sounds really sweet.
If you didn't know this already I used to kinda be a big Phish fan, and with their reunion and the reunion of Led Zeppelin (the other band with a very large and special place in my heart) all in the same year of an economic meltdown and the election of Barack Obama the world feels like it is coming together in a weird way. Compounded with this is the fact that while listening to the new shows Trey's improvisation I get the impression his soloing has changed a little bit to allow in general to for a more reflective and pensive tone due to an increase in the minor character of his phrases.
  Trey's solo in this song (at around 4:45) is representative of this fact, in the original their wasn't even a guitar solo and now as a result the song is gaining a new character 18 years later.  But Trey's solo is not the highlight for me.  For me it is the feeling I get when I listen to Paige McConnell's solo following Trey.  This solo is in the original version, but I think that this one is particularly powerful (speaking partly from the perspective of a Phish fan) in part because of Trey's solo and the character of the recording.  Listening to the clarity of the sound and the palpable awe and excitement of the crowd just makes me realize that now more than ever, Phish is back and probably really never left.

Saturday, April 18, 2009

Broccoli with Butter and Lemon


With food, I tend to get the most pleasure out of making and eating simple, delicious dishes. Now, I know what you are saying, "Simple, well thats easy. Delicious, how do you even define delicious? Is there such a thing? And does acknowledgment of the previous question in fact disqualify me from discussing such a definition? And plus wouldn't deliciousness by definition be of the exotic or complex?... or have I just contradicted myself." So let me clarify, something that is delicious does not need to be complex or even interesting. In fact it is not acknowledging this notion that allows us on a daily basis to ignore and abuse the great flavors present in everyday food. Deliciousness can be the simplest of flavors paired in just the right way, or in the case of this recipe three simple ingredients that just go well together no matter what you do.
Broccoli, butter, and lemon. If you were not a broccoli fan before, or one of those "only with cheese" people, I suggest you try this at least once. Not only is broccoli a cheap vegetable easy to always have on hand, it is also filling and highly nutritious, making it among the more practical options for a side or main dish on any given night.
The simple flavors here (broccoli, butter, lemon) represent a fundamental flavor combination that evokes nothing but the basest acknowledgment of nourishment. It is hard to forget you are eating something healthy while eating broccoli, but it is also hard to deny the pleasures of eating anything with a tablespoon of butter melted over it. I think it is the brightness of lemon that puts this combination in context reminding us that this preparation its a little indulgent, probably good for you, but overall it just tastes simply sublime and straight from home. Perfectly pastoral in every bite.

Thursday, April 9, 2009

Langston Hughes & Charles Mingus: Weary Blues


This is an album I picked up from my good friend DJ Joe-sephus, mad mad respect . It is a great recording, and needless to say because of the brilliance and high regard of its collaborators, is an important and interesting American cultural artifact.
Recorded in 1958 this album takes the groundbreaking 1926 work of Langston Hughes' Weary Blues (which includes the famous "A Dream Deffered") and pairs it with compositions written in collaboration by Charles Mingus, Leonard Feather, and Horace Parlan. Mingus has a knack, I feel, for making music that is sometimes rousing, sometimes chilling, always original, and always eloquent music. This combined with Hughes "cool" prose that itself is written with rhythms straight out of harlem makes a perfect pairing. I feel that this album, because of its stirring poetry and pristine music, can be enjoyed by jazz and non-jazz enthusiasts alike.
The effect of this recording I feel exemplifies a lot of what I look for in music; something that is both interesting and moving which in my opinion (as was previously stated) is duly accomplished both on a musical and literary level. Overall though I just love the music and the poetry. Hughes voice is unparalleled in his delivery, and the words have never meant more as a result. This album is hard to find a copy of, I saw it on Amazon with new copy's going for as much as 40 dollars. Luckily DJ Joe-sephus l was so generous, and luckily you read this blog.

Personnel
Langston Hughes -
poetry
Shafi Hadi (Curtis Porter) -
tenor sax
Jimmy Knepper -
trombone
Horace Parlan -
piano, leader
Charles Mingus -
bass
Kenny Dennis -
drums





The Whole Thing:
http://www.zshare.net/download/5838186662489c46/#

Tuesday, April 7, 2009

Resurrection of a 90's Classic: Boombastic







So you may know Shaggy for his 2001 hit "It Wasn't Me" or "Angel" but how many of you are familiar with his first break out hit from 1995 "Boombastic"? (Though for some reason I have a feeling my Flossmoor people remember this track more than others) I picked this album up a while ago, pretty excitedly for 2 dollars at a Ukrainian church rummage sale on 2nd street and I don't regret a thing.  Why should I? I remember my older sister playing this song all the time when I was seven years old and thinking it was the shit.  Now 13 years later I think the same thing and wonder why this song isn't in our collective faux-retro consciousness like other classic 90's bangers such as Tootsie Roll or Jump Around.  Maybe its just because it doesn't tell us how we should dance (in my opinion jukeing/grinding is clearly the implicit instruction), or maybe it is just too down beat for these fast paced times.  Either way this track deserves a little revisiting and I hope next time you find yourself the unsuspecting DJ somewhere that is in desperate need of just a little more fun music, think of Soundout-Loud, then think of Boombastic... and put it on.

Sunday, April 5, 2009

House Fire: Roy Ayers


So the other day while meandering around St. Marks I was deciding between an eight dollar copy of Sonny Rollin's Saxophone Colossus or a set of self/co-produced remixes from vibraphonist and funk/soul/jazz composer Roy Ayers.  So instead of Rollin's timeless classic I decided to go with the more adventurous purchase and happened upon one pretty interesting album.   "Virgin Ubiquity, Remixed" off Rapsterr records (2006), is an exotic mix of house, drum and bass, chopped up funk, and eerie 90's throwback that leads to a deep cutting sound that has a slippery nature overall (if that makes any sense).  I get that feeling about a lot of downbeat house music, the slippery part, but I feel that this music manages to parse the questionable impression that I get from that sound- and that I would only really expect to hear in a Spanish jean store.  Overall Ayers, I find, stays close to his roots and doesn't let this musics ambitious modern sound loose sight of the type of person to be buying Roy Ayers remixes.  This is the type of downbeat easy to feel music that is so synonymous with hip-hop, with beats tastefully unbridled by too much instrumentation or vocals,  which allows for a more sophisticated effect. I am not that educated on the issue of dance music but I know that there is some I like and some I don't, I think I like this.

Wednesday, April 1, 2009

Musical 80's Brat Pack Homage:

So to counter all the april fools bullshit I see going online today (myself included) here is something I think is pretty cool, it is a song "Lisztomania" (Unofficial Brat Pack Version) by the french band Phoenix, set to dance scenes from our favorite 80's movies. If you like this see Sat. Night Live this weekend, as well as Phoenix making an appearance teen heartthrob (well maybe only my heart is throbbing) Seth Rogen will be hosting.



another taste:
a cool link to extract the mp3:

Unhappy March intelligentsia Day... April Fools!



Fool Like Me - King Kahn and the Shrines



 
also Soundout-Loud March 09 radio right here: